The Fantastic Journey of Pieter Bruegel
$104.60 $83.68
- Used Book in Good Condition
EAN: 9780525469865
SKU: BRANDDUTTONJUVENILE-
Categories: Children's Art Fiction, Children's Medieval Fiction Books
When Peter Bruegel, a young painter from Antwerp, went on a journey to Rome in 1550 to study and see the art and ruins of Rome, he found himself facing unexpected dangers along the way that were later reflected in his work when he became known as the Northern Renaissance master.
Editorial Reviews
From Publishers Weekly
Based on imagined events during Bruegel’s real-life two-year journey through mid 16th-century France and Italy, newcomer Shafer’s luminous watercolor and pencil illustrations spill across the large-scale format with the vivacious humanity characteristic of the great Northern Renaissance painter. As in Bruegel’s work, the pictorial settings surrounding the young artist are rich with dramas large and small. The narrative, conveyed through chatty diary entries, tells of thieving boys in the Alps and Ottoman soldiers battling in Reggio. Shafer thus drives home the idea that Bruegel lived and traveled among real people with all their frailties and foibles, characters and ideas that would continue to inform his work. Together, text and illustrations create a portrait of a place and time complete with the plague and the pope’s private zoo as well as an introduction to an artist whose work and themes are highly accessible to children. Unfortunately, the 16 paintings and drawings by Bruegel, reproduced as a kind of postscript, are too small to do justice to the artist’s genius; one double-page spread of The Wedding Banquet, for instance, would have conveyed Bruegel’s magic more effectively than the miniatures assembled here. A lengthy author’s note with considerable historical background rounds out this visually appealing evocation of the man behind the art. Ages 8-12.
Copyright 2002 Cahners Business Information, Inc.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Grade 3-6-An inviting illustrated chronicle of Bruegel’s trip from Antwerp to Rome in the 16th century. The lively fictional diary entries report exciting events and provide a sense of the difficult times in which he lived. In the course of his journey, he encounters a Huguenot carrying straw for his own fiery execution, people suffering from a plague, a sea battle at Reggio, and even the smells of poverty. Very little is known about the subject’s life, so Shafer imaginatively reconstructs the journey from the sometimes conflicting accounts that exist and from the artist’s paintings and drawings. The use of the first person adds immediacy. Some entries have themes directly related to Bruegel’s paintings, such as The Alchemist, The Beekeepers, and, perhaps his most famous image, The Hunters in the Snow. Shafer’s watercolor-and-pencil illustrations perfectly capture the events of the engaging narrative. The biggest disappointment is the lack of source notes. Despite a detailed note that explains the lack of documentation about the painter’s life, Shafer only refers to “my sources” and does not provide a bibliography. Otherwise, this is an appealing introduction to the painter, to the tradition of the artistic pilgrimage, and 16th-century life in general.
Robin L. Gibson, Perry County District Library, New Lexington, OH
Copyright 2002 Reed Business Information, Inc.
Robin L. Gibson, Perry County District Library, New Lexington, OH
Copyright 2002 Reed Business Information, Inc.
From Booklist
Gr. 5-7. As Shafer notes, artist Pieter Bruegel the Elder “left no written records of his trip” from Antwerp to Italy during the mid-1500s. Shafer imagines the trip, writing about it as if Bruegel had kept a journal, and the result is an episodic, idiosyncratic story in a handsome format. This is a picture book for older children; however, most of the audience will not know Bruegel and more context would have been helpful before plunging into his story. The text itself is intriguing with strong word images, but some passages need more explanation, particularly one in which a Catholic soldier shoves “a Protestant bearing the fuel with which he would be burned.” The illustrations are well imagined, beautifully rendered drawings washed with watercolors and acrylics; they also have some quixotic elements. The book ends with two solid, instructive additions that might have been more useful as part of the introduction: a four-page section with 16 very small, color reproductions of Bruegel’s paintings, each accompanied by identifying notes and a well-written paragraph of comments, as well as a page about the artist’s life and works. Adult help will probably be necessary for kids to get the most out of this. Carolyn Phelan
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
About the Author
Anders C. Shafer, a painter and professor emeritus of art at the University of Wisconsin, has loved Bruegel all his life.
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| Weight | 1.25 lbs |
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