Talking Heads Dualdisc Brick

Product Description

The first complete artist catalog released on DualDisc! This specially packed boxed set contains all eight of Talking Heads’ studio albums, expanded and remastered as two-sided Dual Discs featuring audiophile DVD-A sound, rare and previously unreleased material, and video tracks. Packaging includes an outer white molded plastic box with raised song titles, housing eight individually packaged white jewel cases, each containing liner notes, rare photos, and song-inspired art pieces. Rhino. 2005.

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Talking Heads’ 30th anniversary is commemorated in typically artful style here, sonically upgrading their eight, era-defining albums via bonus-packed Dual Discs and encasing them in a molded white plastic box intricately embossed with the band’s song titles. Each disc contains complete album tracks and bonus cuts remastered in High Resolution Stereo on its CD side, while the DVD programming on the flip offers up the audio tracks in expansive new 5.1 Surround Sound mixes, with all of the sonic upgrading personally supervised by Jerry Harrison. Those long overdue audio improvements alone would make it an attractive set, but fans of the band will find its wealth of bonus music (various B-sides and previously unreleased outtakes) and video (including a number of rare live clips seeing their first release here) supplements equally intriguing.

Bonus musical highlights include four rhythmically-charged, unfinished Remain in Light outtakes (including one that eventually evolved into the band’s signature “Once in a Lifetime”) that allow insightful glimpses into Eno‘s innovative production techniques on the album, alternate versions of “Cities,” “Life During Wartime” and “Mind” from Fear of Music, a countrified version of “Thank You For Sending Me an Angel” from More Songs About.. and a strangely muted early version of another Heads staple, Speaking in Tongue‘s “Burning Down the House.” An early demo of “And She Was” from Little Creatures demostrates that the whole of a glorius pop song can be the assembly of its simple parts. While the additional visual materials (especially the raw early performance clips) are a welcome addition to the Heads’ canon, they’re also something of a tradeoff: a few of the band’s videos are conspicuously absent, including Remain in Light‘s “Once in a Lifetime.” But overlooking a couple of the band’s better known promotional moments in favor of revealing new musical treasures and vastly improved, state-of-the-art audio scarcely blunts the appeal of this rewarding career overview. — Jerry McCulley