Bread and Buddha

Product Description

Bread and Buddha, Harry Manx’s ninth album, is the musical culmination of thirty years of travel. It is a lush, well seasoned blend of roots, blues, folk and Indian sounds that covers the world map. A rich variety of instrumentation is used including piano, drums, bass, scored strings and steel and acoustic guitars. Two years in the making, this collection of songs is a soulful meditation on the ephemeral nature of human existence.

Review

The ever-restless Manx, a world traveler now based on British Columbia’s Salt Spring Island (an artistic haven of sorts), blends blues and folk with exotic strains of Indian classical music to stunning effect. In addition to guitars (both acoustic and national steel) and piano, Manx plays the mohan veena, a 20-stringed hybrid somewhere between guitar and sitar. He also arranged strings on this, his ninth recording, adding additional depth to a strong collection of wise originals and well-chosen covers. Manx is a deeply spiritual artist, and the material reflects his quest for deeper meaning. His lyrics can be a bit cryptic at times, but he’s dealing with big stuff – life, love, and our place in the world. Covers include a stunning reading of Long Black Veil and the hushed reverence of Kevin Breit’s Humble Me, best known for Norah Jones’ version. Manx seems to be moving away from the blues a bit with this outing. Charlie Patton’s Moon Going Down is given a gently simmering reading powered by subtle but soulful organ. But harmonica is absent altogether, and despite its title, the almost-apocalyptic Walking Ghost Blues isn’t a typical twelve-bar. Eastern influences (Manx studied for several years in India with the inventor of the Mohan Veena) are most prominent in the haunting True To Yourself and The Unspoken Quest, both featuring classical Indian vocals from Samidha Joglekar, and Manx’s own compositions lean to minor-key folk-y foundations. Somewhat out of place among the primarily gentle and contemplative fare is the rocky Love Is the Fire, one of only two tracks to feature Simon Godin’s electric guitar. With each recording, Manx seems to be marking a point in an ongoing quest for deeper meaning. Bread And Buddha (the man loves his puns, as other titles in his discography attest) is a fascinating, often lovely, and genuinely moving glimpse into a soul more concerned with spiritual health than with amassing wealth. Recommended! –John Taylor, blogcritics.org